Maple Marsh Lake, Minnesota, 2012

When it comes to photographing the landscape of the upper midwest, one of the most compelling aspects for me is the geographic diversity. Not many people realize it, but Minnesota is the crossroads of three distinct biomes: The first and most recognizable is the northern glacial lakes, which sweep down from Canada in the footprint of the last ice age. The second is the big woods, providing hardwood savanna that spills over the eastern border from Wisconsin. And the third biome is the vast open prairie that begins inland and spreads west as far as the eye can see.

The day I photographed Maple Marsh Lake, I was exploring the rolling hills and glacial lakes on a ranch near the Twin Cities metro area. Lakes are abundant in Minnesota, but I was intrigued by the stark contrast against the open grassland, and the simple placement of a singular hardwood tree. For me, this photograph captures the unique essence of the transitional Minnesota landscape, and how each of the three major biomes can unite in one graceful image: Hardwood tree, glacial lake, open prairie.

Location: Minnesota
Photograph Date: 2012
Medium: Chromogenic Print
Edition: 200

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About the Photographer

David Bowman

Most National Geographic photographers travel to far-flung places, like Bali or Timbuktu, in search of images. But David Bowman, who was born in Green Bay, Wisconsin, finds inspiration in his own backyard, shooting the vast, open spaces and lakes of his native Midwest. His subtle, dreamlike images, often of water, have won numerous awards, including an International Photography Award and an American Photography Award. His latest project is photographing the Great Lakes.

Speaking from his home in Minneapolis, David explains how his mission is to do justice to the place he lives in, how being in the right place at the right time with the right equipment is crucial, and how returning with his daughter to a spot in Florida where he had taken a memorable photograph gave the image a special meaning.

Q & A

You only recently started working for National Geographic. What does it mean for your career—and your life? Were you intimidated?

I was honored. My parents had National Geographic through my whole childhood and I've been a lifelong subscriber. But I didn't pursue National Geographic. They actually invited me! [Laughs] A picture of mine of the state fair in Minnesota won first place in a national photography competition. It was seen by a National Geographic editor and they asked me to submit it for consideration for an opening spread. It took [the magazine] months to decide whether or not they were going to use the picture. But eventually they contacted me to say that they were going to run it—as the opening spread of the 125th anniversary issue! I had worked really hard. I had planted the seed. But I had only dreamed that something that great might happen.

What inspires you in your work, David?

The geography and landscape of where I'm from is a deep-seated inspiration. My backyard. I have spent my whole life in the Midwest and my images are informed by my life experience here. Landscapes in the Midwest are very subtle. That’s the challenge of being a photographer here. How do I make a photograph that captures the meaning and importance of this place, a photo that is worthy of this place?

National Geographic Image Collection Interview With David Bowman By Simon Worrall

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